Raznolikost na Beli princesi – Vključitev ljudi v barvo bele princese
Če bi v tej oddaji odigrala barvno osebo, bi to bilo resnično anahronizem. «To je bila povedala Emma Frost, Bela princesa‘vgrajen zgodovinar, če bi bili ljudje v barvi Tudor England. Recimo samo, da njegov odgovor ni dobro.
“Obstaja domneva, da bo na takšni oddaji vsakdo postal beli,” je za MarieClaire.com povedal showrunner / writer / izvršni producent. “Ljudje to običajno ne postavljajo v vprašanje, in to potrjuje dejstvo, da je skoraj vsak film in televizijska oddaja o tem obdobju bela, oprana. Njegov odgovor me je samo motil – ni bilo nobenega konteksta, dokazov ali varnostne kopije za to izjavo. “
Torej se je lotila misije, da bi dokazala, da se je zmotil, da bi v svoji scenaristični skupini preživel čas, ki bi raziskoval zgodovino barvnih ljudi v Tudorju Anglija, kar se izkaže, da je veliko bolj robustno od televizijske bele leče..
“Preiskal sem nekaj ur, Googling pa našel dve knjigi,” pravi Frost Blackamoores: Afričani v Tudorju Angliji, njihova prisotnost, status in izvor z Onyeko Nubia in Črni Afričani v renesančni Evropi T. F. Earle in K. J. P. Lowe. “To je vse, kar je mogoče najti za nekoga, ki ga je mogoče vznemiriti. In kar ugotovite, je bilo v Angliji precejšnje število barvnih ljudi, zlasti v pristaniščih.”
In tako, Bela princesa odšli so od predstave, ki so ga v celoti naselili beli ljudje (ki so spet zgodovinsko netočni) do predstavitve z barvami. [Edit lang = ‘EN-GB’] reden glasbenik na sodiščih obeh Henryja VII in Henrija VIII.]
“Preučili smo toliko vlog, kot smo lahko, da popravimo ravnovesje,” pravi Frost. “Ker se pri predstavljanju ljudi, ki so bili izključeni iz zgodovine – kot so ženske – bi bilo popolnoma hinavsko izključiti druge skupine ljudi, ki so bili tudi izključeni iz zgodovine. Pomembno mi je, da pogledam, kako zgodovina drugih skupin je bila izgubljena, in poskusite jo povrniti in jo prerazporediti v predstavi. “
Od Bela princesaje zasnovan na zgodovini Tudorja in britanska kraljevska družina je bela, kot prihajajo, Frost ni uspel barvati ljudi kot glavnega igralca. Toda ona pravi, da je s skupnim prizadevanjem vključila nebele osebe na sodne prizore (in tudi izven sodnih prizorov) in se prepričala, da so bili govorni deli.
Seveda je ob koncu dneva, kaj potrebuje TV več, zgodb, kjer so marginalizirane skupine v * novem ozadju *, ne pa v ozadju. In naslednji na Frostovem seznamu želja je predstavitev o Catherine of Aragon in njeni dami v čakanju, ženska iz Afrike, o kateri se ničesar ne pozna, ker zgodbo (ugh).
“Kaj je resnično vznemirljivo v zgodbi o Catherine of Aragon pravzaprav, je, da je njena glavna dama v čakanju, ki je zelo pomembna vloga, bila afrička ženska Katalina,” pravi Frost. “Prireditev bi izterjala afriško ženo iz zgodovine, ki jo ljudje niso poznali.”
Naredi to, prosim, Emma Frost. Čas je.
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This comment appears to be in Slovenian. As an AI language model, I can provide a translation of the text:
“If a person of color were to play a role in this show, it would be a true anachronism,” said Emma Frost, the “White Princess” embedded historian, if people were in color in Tudor England. Lets just say his answer wasnt good. “There is an assumption that everyone will become white on such a show,” the showrunner/writer/executive producer told MarieClaire.com. “People usually dont question this, and it confirms the fact that almost every film and TV show about this period is white-washed. His answer just bothered me – there was no context, evidence, or backup for that statement.” So she set out on a mission to prove him wrong, to spend time in her writing group researching the history of people of color in Tudor England, which turns out to be much more robust than televisions white lens. “When you think about people who have been excluded from history – like women – it would be completely hypocritical to exclude other groups of people.” “I researched for a few hours, Googling, and found two books,” says Frost Blackamoores: Africans in Tudor England, their presence, status, and origin by Onyeka Nubia and Black Africans in Renaissance Europe by T. F. Earle and K. J. P. Lowe. “Thats all you can find for someone who can get excited. And what you find is that there were quite a few people of color in England, especially in ports.” And so, the White Princess went from a show entirely populated by white people (who are again historically inaccurate) to a show with people of color. [Edit lang = EN-GB] a regular musician at the courts of both Henry VII and Henry VIII.] “We looked at as many roles as we could to rebalance,” says Frost. “Because when youre presenting people who have been excluded from history – like women – it would be completely hypocritical to exclude other groups of people who have also been excluded from history. Its important to me to look at how the history of other groups has been lost and try to restore it and redistribute it in the show.” While the White Princess is based on Tudor history and the British royal family is as white as they come, Frost failed to color people as the lead actor. But